Books

Laura Spelman, sixty, is told she has terminal lung cancer and resolves to spend what remains working out what her life actually consisted of. What she finds is that the relationships that mattered were with women. Sarton wrote it at sixty-six, and it is still among the frankest novels about dying on your own terms.

Dying of stage-four cancer and estranged from her grown daughter, Liz Millanova joins a hospital support group and forms a fierce chosen family with two fellow patients. A tender novel about mortality, reconciliation, and savoring what is left.

A novel from Dawn French about Etta, a healthy, happy 68-year-old who gathers her family for a weekend and announces that today is her last day alive. Over the following twenty-four hours the family shares a surprising, darkly funny, and unexpectedly life-affirming day together — a celebration of a life fully lived.

On her deathbed, historian Claudia Hampton looks back across a long, adventurous life — a wartime love affair in the Egyptian desert, decades of independent thought, and the knowledge that history is always personal. Penelope Lively’s Booker Prize-winning novel is one of the great portrayals of a brilliant woman aging on her own terms.

Piercy at eighty-four, writing poems about cats, cooking, marriage, the dead, and her own approaching end with no softening whatsoever. The late work of a poet who has been documenting women lives since the 1960s.

In the fictional Northern California city of San Andreas de Pacifico, the ground is literally unstable — and so are the people in these twelve linked love stories. A long-married couple scales a cemetery wall to reignite their passion; an old man losing himself to dementia finds an abandoned baby; a struggling writer finds freedom trying to rescue a beached whale. Award-winning author Ericka Lutz (The Edge of Maybe) writes with an unflinching, lyrical voice about connection, vulnerability, and the fault lines beneath ordinary lives.

Why it’s here: This collection spans the whole arc of a life rather than focusing only on older women, but its older characters — the assisted-living residents, the man facing dementia, the women reaching late in life for passion and meaning — and its themes of mortality, reinvention, and connection speak directly to a second-half-of-life reader.

Olive Kitteridge, now ninety, and Lucy Barton, in her sixties, spend a Maine winter telling each other the unrecorded lives of women they have known. A novel about whether an ordinary life adds up to anything, asked by two people close enough to the end to want an answer.

Alma Cruz, a novelist in her sixties, retires from teaching and writing and buries her unfinished manuscripts in a plot of land, whereupon the characters begin to talk. A book about what a completed career leaves undone, written by Alvarez at seventy-four.

Margaret Drabble’s novel follows Fran Stubbs, 70-something, who inspects housing for the elderly across England with restless intelligence and dark humor, while her own world — friends, a failing ex-husband, the end of things — closes in around her. A novelist’s unsentimental reckoning with mortality.

A woman accompanies her terminally ill friend through the final weeks of her life — and through the process confronts her own relationship to mortality, meaning, and what we owe each other at the end. Sigrid Nunez writes about dying with the same precise, unsentimental intelligence she brings to everything.