Books

Amba is a fashion and travel writer and a 1920s “New Woman” — she flouts the mores, climbs the barriers, makes some deeply questionable choices, and loves a woman named Ida against the whole grain of her age. Then she dies in a mid-air collision.

Seventy years on, her brother Andrew hires a young research librarian, Frasey, to put Amba’s archive in order, and Amba proceeds to take over Frasey’s life as thoroughly as she took over her own. Stephanie Shields writes it joyous and dark by turns, with a full-circle ending readers keep singling out.

Why it’s here: Amba is a woman whose whole life gets weighed only after it ends — by the people left holding her papers, seventy years on. It is a novel about who gets to decide what a woman’s life meant, which is a question that arrives for all of us eventually.

A companion collection in the Menopausal Superheroes series, bundling two interlude novellas and a set of short stories. It goes behind and between the novels to deepen the world of Patricia the Lizard Woman, Fuerte, Flygirl, and Dr. Cindy Liu, exploring what it means to be a hero at any age or stage of life.

Eighty-eight-year-old Maud is small, frail, and utterly ruthless. When inconvenient people get in her way, she handles them — with the kind of decisive efficiency that only comes with age and absolutely nothing left to lose. Helene Tursten’s darkly comic stories are a love letter to the surprising freedom of extreme old age.

Maud is eighty-eight, and the assumption that an old woman could not possibly be dangerous continues to work entirely in her favor. The follow-up to An Elderly Lady Is Up to No Good, and just as bleakly funny about what age makes invisible.

Springfield refuses to stay saved. A new mutation sends the women’s powers into dangerous, unstable spikes, and only Flygirl is unaffected. Racing to find a cause and a cure, she must cooperate with the very scientist who changed their lives, while romances, weddings, and divorces test whether these heroines can truly have it all.

Joan Price writes candidly about sexuality after sixty — desire, dating, body changes, and intimacy. Warm, funny, and deeply affirming for any woman wondering if her erotic life is over. It is not.

Stella Fosse’s smart, sexy novel drops three accomplished women scientists — a biology professor, a chemist, and a patent-lawyer/engineer — into the San Francisco biotech scene, where they discover they’ve all been dating the same charming con man, a fraudster stealing their research along with their hearts. Comparing notes, they reach one conclusion: getting rich is the best revenge. First Wives Club meets The Witches of Eastwick, with older women firmly in charge of the story.

New Yorker cartoonist Roz Chast turns her signature anxious wit on the hardest subject: her elderly parents’ final years. This graphic memoir is funny, wrenching, and utterly honest about the mess of aging parents, overwhelmed adult children, and the things families can’t quite say out loud. Winner of the National Book Critics Circle Award.

With great power comes great frustration. As the newly transformed women adjust to life as superheroes, Patricia presses on alone to find the woman who changed them, while Jessica and Linda train with a covert agency known as The Department. Old threats resurface, and controlling their new abilities proves harder than any of them expected.

A spicy, satirical romp about a sixty-something woman who stumbles into a digital trap and comes out the other side owning her desire and her power. Billie Best skewers the culture’s assumptions about older women and sex, insisting with wit and nerve that a woman’s sensual life is far from over at 60.

Everything is tickety-boo at The Green Meadows retirement village until Cynthia’s dear friend accidentally witnesses a murder and, in shock, cannot remember a thing. With a security guard and a young detective in tow, Cynthia sets about reconstructing what he saw before the killer reaches the next name on the list. Book two, pitched squarely at the Thursday Murder Club reader: senior sleuths, real friendship, and a body that has gone missing.

Janina is a reclusive older woman living alone in the Polish mountains — a vegetarian, astrologer, and fierce lover of animals who begins to suspect that her missing neighbors are being killed by hunters. Nobel laureate Olga Tokarczuk’s darkly comic novel is a murder mystery in which the detective is an aging woman the world has already dismissed.

The Menopausal Superheroes step out of the shadows, and the pressure mounts on every front. As public scrutiny intensifies and their personal lives strain under the weight of secret identities, the women must navigate fresh dangers while holding together a fragile alliance and the relationships that matter most.

Broke, eccentric, seventy-three-year-old Aurora drives to LA chasing a possible inheritance; her estranged, perfectionist forty-three-year-old daughter heads there to spy on her husband. Their quests collide over one chaotic, unexpectedly healing weekend. A sharp comic novel.

A short-story collection in the Menopausal Superheroes series, gathering four original tales that fill the gaps between the novels. The stories trace the fraught relationship between Patricia, the Lizard Woman, and her former friend turned mad scientist Dr. Cindy Liu, exploring what it means to be a hero in midlife and beyond.

When four ordinary women hit menopause, the change turns out to be far stranger than hot flashes. After using the same small company’s natural products, Helen can shoot fire, Patricia becomes bulletproof, Jessica floats, and Linda gains immense strength and a new male body. United by that one common link, the unlikely heroines set out to find the woman responsible.

Nora Ephron’s wickedly funny essays about the indignities and joys of getting older as a woman. From bad hair days to the terrors of the medicine cabinet, she makes aging not just bearable but hilarious.

Nora Ephron’s final essay collection looks squarely at aging and memory with her characteristic wry precision. She writes about what she can no longer remember, what she wishes she’d said, and the strange experience of watching her own life become something that already happened. Funny, melancholy, and completely honest.

An illustrated reflection for grown women on what it feels like to be “new at being old,” pairing wit and whimsy with sociologist-artist Lucy Rose Fischer’s vibrant original paintings. Moving from anxiety about the body’s “movable parts” to a celebration of vitality, creativity, and the richness of years, she finds herself joining a sisterhood of older women.

Billie, Mary Alice, Helen, and Natalie spent forty years as assassins for an elite outfit called the Museum. When their long-awaited retirement cruise turns out to be a setup — the organization has marked them for death — the four women, now in their sixties, turn their decades of skill against their former employers. A sharp, funny thriller that treats being underestimated as older women as the ultimate weapon.

The sequel to Killers of a Certain Age. Four women assassins, retired and comprehensively underestimated, are pulled back in, and their invisibility to everyone under fifty is once again the sharpest weapon they have.

Lore Segal, writing in her late 80s, collects stories about a group of elderly New Yorkers who meet regularly for lunch and grapple together with the losses and indignities of old age. Funny, exact, and utterly unsentimental — one of the most honest books written about what being old actually feels like.

Our spiritual foremothers are the proper ladies of this California writing circle of the 1980s. The formal tone of these stories contrast beautifully with the tales of one-night stands, lovers who find each other after decades apart, and the bliss of married love as well. Just as in the Elderotica writing group that is still going strong in the Bay Area, the Ladies in this book use writing prompts to get their juices flowing, and they share some of their prompts here. As in my new book from North Atlantic Press, the Ladies’ Own Erotica encourages women of a certain age to come together in writing circles and share erotica and conversation.

Each of the women has a chance to tell her own story, and why she enjoyed the writing circle, in the “Kensington Ladies Revealed” chapter at the end of the book. There is something wonderful about coming together to write erotica, as these ladies discovered long ago.

On New Year’s Eve 1984, 85-year-old Lillian Boxfish—once the highest-paid advertising woman in America as R.H. Macy’s star copywriter—sets out on a ten-mile walk across Manhattan, revisiting the places and choices of a remarkable life. Inspired by the real-life poet and ad woman Margaret Fishback, Kathleen Rooney’s novel is a witty, defiant portrait of a woman who refuses to shrink with age.