Books

A practical guide to navigating midlife and beyond through creativity and reinvention, from an author who has lived it into her seventies.

Why it’s here: Not a personal narrative but a resource for creative reinvention in the second half of life — the stage CroneHub is built for.

Essays on being a mature woman still looking for a life of purpose while popular culture treats her as finished. Weldon is funny about invisibility without letting anyone off the hook for it. Winner of the Gilda Prize.

Through anecdote, playful exercises, interviews and writing samples, Aphrodite’s Pen encourages ripe women to explore erotic writing as a joyful practice — the first book of its kind, for older women embarking on an intimate journey of personal growth.

The most buoyant of Sarton journals. She is seventy, with a full calendar of readings, a garden, new friendships, and the genuine surprise of finding this the best decade yet. Read alongside the later volumes it marks the high point, before illness enters the record.

When Janice Mason Steeves surveyed 138 artists aged 59 to 79 about their journeys into art, a pattern emerged: later life, far from being a barrier to creativity, can be an ideal time to begin. Weaving their stories with her own path from psychology to an international painting career, Steeves offers practical guidance and encouragement for anyone drawn to a creative life after 50.

Research professor Brené Brown’s guide to courageous leadership — vulnerability, trust, difficult conversations, and clarity of values. Powerful for women at any stage of their careers or community involvement, including those taking on leadership roles in midlife.

Brené Brown’s landmark work on vulnerability — how the willingness to be seen, to take risks, and to embrace imperfection is the birthplace of love, belonging, joy, and creativity. Transformative for women who have spent decades in shame-driven perfectionism.

Eighty, and still keeping the account: birds, letters, visitors, the garden, and a clear-eyed reckoning with how much time is left. The title is not ironic. Sarton found this year had a great deal more in it than she had expected.

When you look in the mirror, what do you see? Photographer Jo Blackwell put that question to hundreds of women and photographed 166 of them exactly as they are — no make-up, no styling, no filters — each portrait paired with the woman’s own words about growing older, being seen, and letting go of unrealistic expectations. Featured by the BBC, it is not a glossy “embrace ageing” book; it is a quiet, truthful record of older faces, and an argument that every one of them is worth looking at.

Why it’s here: The portraits begin at forty, not fifty — but the project’s whole subject is the visibility and self-acceptance the second half of life demands, and its honest older faces are the point.

Muriel A. Murch recounts leaving Los Angeles with her film-editor husband for a farm in West Marin, where family life intertwines with organic farming and the Bay Area’s independent film world. A poetic tribute to land, work, and community.

An illustrated reflection for grown women on what it feels like to be “new at being old,” pairing wit and whimsy with sociologist-artist Lucy Rose Fischer’s vibrant original paintings. Moving from anxiety about the body’s “movable parts” to a celebration of vitality, creativity, and the richness of years, she finds herself joining a sisterhood of older women.

Julia Cameron, author of The Artist’s Way, adapted her famous creativity tools for people in retirement or any major life transition. Weekly tasks, morning pages, and artist’s dates — all recalibrated for the particular challenge of reinventing yourself when the structure of a career falls away.

Sarton was sixty-one when she kept this record of a single year in her New Hampshire farmhouse, writing deliberately against the sunny public image her earlier memoir had created. It is a book about solitude as a working condition rather than a sorrow, and it is unguarded about depression, rage, and the cost of arranging a whole life around the work.

Southern women artists and writers — painters, sculptors, novelists, poets — reflect on creativity, aging, and what it means to keep making things as the years accumulate. Edited by Jay Lamar and Jennifer Horne, this anthology is a testament to the creative life as a lifelong practice, not something that fades at a certain age.

Grammy-winning vocalist Darlene Koldenhoven — the tambourine-waving nun of Sister Act and a soloist on Yanni: Live at the Acropolis — looks back on nearly fifty years in show business, from a strict Chicago girlhood to the world’s great stages.

You remember Erica Jong: She who broke new ground with Fear of Flying, a 1973 novel that startled men and women at the time with its directness about female sexuality. Jong revisited sexuality in her 2015 novel Fear of Dying, which explores the sexual desire of a woman in her sixties. But before that novel, Jong edited this anthology of stories and essays by women of many ages about their sexual lives.

One of the loveliest things about this collection is the seamlessness of sexual experience across the stages of life; there is no pretense of reserving sexuality for the young. Read this book for the diverse ways women explore and describe and grow from erotic experience, throughout the lifespan. Every kind of experience, from purely physical release to sex as communion with spirit, is celebrated here.

The writer biographies at the back of the book hint at the kind of community we can build among ripe women awake to our eroticism.

The classic 12-week program for recovering your creative self. Particularly powerful for women in midlife who have spent decades putting others first and are ready to reclaim — or discover for the first time — their creative lives.

Literary scholar Ruth O. Saxton reads across thirty works of fiction — from Barbara Pym and Doris Lessing to May Sarton, Margaret Drabble, and Jenny Diski — to ask how novelists imagine women in the last decades of life. She traces the difference between the diminished old lady of cultural stereotype and the vivid, still-becoming women some writers dare to portray. A perceptive, companionable guide to finding yourself on the page at any age.

After feminist poet Marge Piercy suffers a medical emergency in 2022 and is revived, she spends the following year taking stock. Written at ninety in the Japanese zuihitsu form, this luminous journal braids diary, recipes, garden notes, and poetry into a celebration of a life in its ‘resurrected’ old age.

Sarton in her mid-sixties, newly settled in a house above the Maine shore, keeping the daily account of weather, flowers, visitors and work that became the model for a whole genre of later-life writing. Quieter than Journal of a Solitude, and considerably warmer.

At 72, the widow Mary Delany picked up a pair of scissors and a piece of black paper and invented an entirely new art form — the paper mosaic. Molly Peacock’s biography of this forgotten Georgian genius is also a meditation on late-life creativity: what becomes possible when the social obligations of a lifetime finally lift.

Half of romance readers are over fifty, yet few novels reflect their vivid lives. This roadmap shows you how to craft, edit, publish, and market a vibrant late-life love story. Your adventures as a late-life romance author begin here.