Books

Book three of the Veil of Time series. Drawn once more into eighth-century Scotland, Maggie lands in the middle of a bitter struggle between the rising Christian Church and the old Pictish traditions — a conflict centered on Iona, the sacred Isle of the Druids, where monks mean to raise a monastery on ground hallowed by generations of Fergus’s ancestors. Reunited with Fergus and his now-grown daughter as the fighting builds, she is pulled for the first time not only into the past but into an alternate future: one where the old beliefs were never erased, and where women lead a thriving technological society in the shadow of Dunadd.

Why it’s here: This is Celtic time-slip fantasy rather than a story about later life, published by Sibylline Digital First, whose whole list is women authors over 50. It sits on CroneHub for the thread running underneath the adventure — an older faith set against the church that displaced it, and an imagined future in which women hold the authority. A long view of women’s power, written by a woman writing in her own second half.

Seventy-six-year-old Linda Davidson — a widowed retired teacher in Florida — is worn down by grief and a houseful of bickering family when she meets Jenny Cooper, a ninety-two-year-old dementia patient who calmly confesses to a lifetime of murders, mostly men who hurt her. Is it the confusion of a failing mind, or is Jenny lucid and telling the truth? A twisty psychological thriller anchored by two older women.

Having broken free at fifty to start a new life, Karen Grace lands in Florida, camping out with friends and facing fresh relationships and setbacks. The sequel to Dakota Blues (Book 2) continues the later-in-life arc of reinvention.

Billie, Mary Alice, Helen, and Natalie spent forty years as assassins for an elite outfit called the Museum. When their long-awaited retirement cruise turns out to be a setup — the organization has marked them for death — the four women, now in their sixties, turn their decades of skill against their former employers. A sharp, funny thriller that treats being underestimated as older women as the ultimate weapon.

The sequel to Killers of a Certain Age. Four women assassins, retired and comprehensively underestimated, are pulled back in, and their invisibility to everyone under fifty is once again the sharpest weapon they have.

On her twenty-sixth birthday in 1976, Dana, a young Black writer in California, is wrenched back through time to an antebellum Maryland plantation — summoned again and again to save the life of the white slaveholder who is her own ancestor. To secure her own existence she must survive the brutal world that made her. Octavia Butler’s genre-defining novel fuses science fiction and slave narrative into an unflinching meditation on power, kinship, and inheritance.

Why it’s here: Dana is a young protagonist, but Kindred is a foundational text on Black women’s lineage and the long reach of history — the legacy older readers carry and pass on — from one of the most important voices in American letters.

A forty-nine-year-old archaeology professor travels to Poland after her estranged father’s death and uncovers her family’s wartime history — finding, along the way, a first romance and a new calling restoring Jewish cemeteries.

Why it’s here: Klara is 49 as it opens — a hair under our usual line — but the arc is pure second-half reinvention and reclaimed history.

Lore Segal, writing in her late 80s, collects stories about a group of elderly New Yorkers who meet regularly for lunch and grapple together with the losses and indignities of old age. Funny, exact, and utterly unsentimental — one of the most honest books written about what being old actually feels like.

Our spiritual foremothers are the proper ladies of this California writing circle of the 1980s. The formal tone of these stories contrast beautifully with the tales of one-night stands, lovers who find each other after decades apart, and the bliss of married love as well. Just as in the Elderotica writing group that is still going strong in the Bay Area, the Ladies in this book use writing prompts to get their juices flowing, and they share some of their prompts here. As in my new book from North Atlantic Press, the Ladies’ Own Erotica encourages women of a certain age to come together in writing circles and share erotica and conversation.

Each of the women has a chance to tell her own story, and why she enjoyed the writing circle, in the “Kensington Ladies Revealed” chapter at the end of the book. There is something wonderful about coming together to write erotica, as these ladies discovered long ago.

Morayo Da Silva, a Nigerian-born retired English professor, lives vibrantly alone in San Francisco surrounded by her beloved books, driving a sports car she calls Buttercup at seventy-four. When a fall lands her in a rehabilitation facility, her hard-won independence is shaken and she begins to reckon with her past loves and the life she has made. Sarah Ladipo Manyika’s slim, luminous novel is a tender, sensuous portrait of an older woman fully alive to the world.

On New Year’s Eve 1984, 85-year-old Lillian Boxfish—once the highest-paid advertising woman in America as R.H. Macy’s star copywriter—sets out on a ten-mile walk across Manhattan, revisiting the places and choices of a remarkable life. Inspired by the real-life poet and ad woman Margaret Fishback, Kathleen Rooney’s novel is a witty, defiant portrait of a woman who refuses to shrink with age.

Sarah Durham, a widowed theatre producer in her sixties, falls unexpectedly and humiliatingly in love, and has to reckon with desire in a body the world has stopped looking at. Lessing wrote it at seventy-seven and refuses every consolation the plot invites.

A debut poetry collection of 30 poems written over 30 days, charting the raw terrain of midlife transformation — grief, shifting family roles, career change, and personal reinvention. Written by Jacqueline (Jack) Pérez, who discovered poetry at 60 and founded the pro-aging platform Kuel Life, it speaks directly to women over 50 ready to embrace what comes next.

A collection of short stories about the drama, humor, and reinvention of midlife and the years beyond. Spreen’s debut short-fiction collection earned a five-star review from Readers’ Favorite.

A second collection of uplifting short stories about the second half of life — a couple attempting role-reversal in retirement, friends confronting a loss of purpose, and seniors taking new chances on love. The sequel to Middle-Aged Crazy.

On her deathbed, historian Claudia Hampton looks back across a long, adventurous life — a wartime love affair in the Egyptian desert, decades of independent thought, and the knowledge that history is always personal. Penelope Lively’s Booker Prize-winning novel is one of the great portrayals of a brilliant woman aging on her own terms.

Newly widowed Mrs. Palfrey moves into a genteel London residential hotel and slowly finds her footing among the other residents — elderly people managing loneliness, dignity, and the small cruelties of age with varying degrees of grace. Elizabeth Taylor’s 1971 novel is warm, mordant, and more subversive than it first appears.

Hollywood director Steve McNaught retreats to his ancestral village in rural Scotland and is eyed with suspicion — not least by ex-hippy midwife Georgie. Their sparky romance falters when he threatens to turn the town into a film set, until he returns, sober, with a film that spills its secrets.

Why it’s here: Georgie, a seasoned village midwife, is the sharp, unsentimental heart of the story — an older woman entirely on her own terms.

Hilary Stevens, a poet in her seventies, submits to a day of interviews and ends up reviewing an entire life: the marriage, the women she loved, and where the poems came from. This is the novel in which Sarton wrote openly about lesbian love, at genuine professional cost to herself.

Recovering from surgery in a New York hospital, Lucy Barton wakes to find her estranged mother at her bedside after years of silence. As they talk, Lucy revisits her impoverished rural childhood, her escape to the city, and the marriage and children she has since made — and begins to doubt the life she built, wondering what has been lost and what is still to be found. From the Pulitzer Prize–winning author of Olive Kitteridge, it is a spare, luminous story of mothers and daughters.

Why it’s here: Lucy is younger in the hospital scenes, but she narrates as an older woman looking back — a reckoning with memory, motherhood, and the past that lands differently with age.

Wealthy, newly widowed Claire is adrift; Erica, a burnt-out young outreach worker, is about to be fired. Their collision becomes a partnership to get ten unhoused women off the streets and into a community of their own — until one woman’s past threatens it all.

Why it’s here: Newly widowed Claire finds late-life purpose and reinvention through the women she sets out to help.

I have been a fan of Sharon Olds‘ poetry ever since she spoke out about incest in her collection, The Dead and the Living (1983). Her work is incredibly incisive, beautifully crafted, and utterly unblinking, even as she examines subjects we are discouraged from mentioning, much less capturing in poetry.

The personal nature of Olds‘ poetry, her focus on her children, her marriage, and her own sexuality, has made her controversial throughout her career. Yet she has persevered, and later in her career won numerous awards, including a Pulitzer for Stag’s Leap, her 2012 volume about the end of her long marriage.

In her 2016 book “Odes,” the poet explores sexuality from her vantage point as a woman in her sixties. Poems like “Blow Job Ode,” and “Ode to the Clitoris,” continue her saga of making the personal poetic.

These poems make it clear that being a certain age is no reason to stop examining (and enjoying) sexuality.

Lucy Barton and her first husband William, now in their sixties and long divorced, take an unexpected trip together to find the half-sister William never knew he had — a secret daughter of his late mother, living in Maine. Elizabeth Strout’s luminous novel is about the persistence of love in its strangest forms, and about what we keep discovering about ourselves and each other as we age.

Mary Caine, nearly sixty, still hopes each year that the mother who abandoned her will return with the Midsummer Carnival. Instead it is Sadie Barnes, the first love who left town thirty years ago, who may be coming back. A later-in-life lesbian romance.