Books

On her deathbed, historian Claudia Hampton looks back across a long, adventurous life — a wartime love affair in the Egyptian desert, decades of independent thought, and the knowledge that history is always personal. Penelope Lively’s Booker Prize-winning novel is one of the great portrayals of a brilliant woman aging on her own terms.

Newly widowed Mrs. Palfrey moves into a genteel London residential hotel and slowly finds her footing among the other residents — elderly people managing loneliness, dignity, and the small cruelties of age with varying degrees of grace. Elizabeth Taylor’s 1971 novel is warm, mordant, and more subversive than it first appears.

Hollywood director Steve McNaught retreats to his ancestral village in rural Scotland and is eyed with suspicion — not least by ex-hippy midwife Georgie. Their sparky romance falters when he threatens to turn the town into a film set, until he returns, sober, with a film that spills its secrets.

Why it’s here: Georgie, a seasoned village midwife, is the sharp, unsentimental heart of the story — an older woman entirely on her own terms.

Gloria Steinem spent decades traveling for the feminist movement — organizing, speaking, listening, agitating. Her memoir of those years on the road is also a meditation on why travel and conversation are themselves political acts, and on the communities of women who changed American life one room at a time.

At sixty, long-married psychotherapist Leah Fisher negotiates a year-long ‘marriage sabbatical’ of solo global travel — an alternative to gray divorce, and a reclaiming of self within a marriage.

Recovering from surgery in a New York hospital, Lucy Barton wakes to find her estranged mother at her bedside after years of silence. As they talk, Lucy revisits her impoverished rural childhood, her escape to the city, and the marriage and children she has since made — and begins to doubt the life she built, wondering what has been lost and what is still to be found. From the Pulitzer Prize–winning author of Olive Kitteridge, it is a spare, luminous story of mothers and daughters.

Why it’s here: Lucy is younger in the hospital scenes, but she narrates as an older woman looking back — a reckoning with memory, motherhood, and the past that lands differently with age.

Over a ten-year search, the author comes to know the Cuban-exile father she barely knew, alongside an adopted Cherokee-Jewish soldier father and an Iranian stepfather — each a different version of love and absence. Confronting inherited wounds, she dismantles the myths she carried about her fathers and herself.

Why it’s here: A woman in her later life pieces together three fathers and her own inheritance — a mature reckoning with family and identity.

After her father’s death and divorce from her husband of two decades, Rachel leaves a thirty-year career and navigates a year of disastrous midlife dating — dark, wry, and ultimately hopeful.

In this book, Joan Price continues to explore late life sexuality. Joan’s grief over the death of her husband, and her creative ways to address her sexuality after that loss, are significant in this volume.

Joan also addresses how we continue to be sexual when our health issues, or the health of our partners, become challenges in our sexual expression.

William Blake wrote that “joy and pain are woven fine,” and in Naked at Our Age, Joan Price helps us ensure that the joy remains woven into the pattern of our lives.

Anna Quindlen became a grandmother at sixty-four, and found herself in territory no amount of parenting had prepared her for — no longer the decision-maker, now a supporting player in her grandson’s life. Her warm, honest essays trace the unexpected pleasures and complicated emotions of the role, and reflect on what it means to watch your own child become a parent.

Chicana playwright and activist Cherríe Moraga braids her own coming-of-age and coming out with the story of her mother, Elvira, and Elvira’s long decline into Alzheimer’s. It is a memoir about memory, inheritance, and the grief of watching a parent fade — and, through one family, a larger reckoning with Mexican American identity and belonging.

Drawing on her PhD in cellular immunology, Ehrenreich argues that much of modern preventive medicine, wellness culture, and the anti-aging industry sells false control over a body and a mortality we cannot ultimately command. She examines how the immune system can itself abet disease, and makes the case for accepting the limits of medicine and the certainty of death rather than killing ourselves to live longer.

Dr. Stacy Sims applies her female physiology expertise specifically to the menopausal transition, with training and nutrition protocols designed to maintain strength, power, and athletic performance through and beyond menopause.

Maggie Kuhn founded the Gray Panthers at 65 after being forced to retire from her job — and spent the next two decades as one of America’s most formidable activists for the rights of older people. Her autobiography is a testament to what becomes possible when a woman stops accepting what she’s told and starts organizing.

Gail Collins surveys three centuries of American history to show that older women have always been more influential, more inventive, and more powerful than the culture acknowledges. From colonial grandmothers to suffragists to modern activists, No Stopping Us Now recovers a hidden history of elder women who refused to step aside.

A childless woman in her late fifties tells the unvarnished truth of caring for her older husband as Alzheimer’s dismantles the retirement they’d planned on the Oregon coast.

Wealthy, newly widowed Claire is adrift; Erica, a burnt-out young outreach worker, is about to be fired. Their collision becomes a partnership to get ten unhoused women off the streets and into a community of their own — until one woman’s past threatens it all.

Why it’s here: Newly widowed Claire finds late-life purpose and reinvention through the women she sets out to help.

I have been a fan of Sharon Olds‘ poetry ever since she spoke out about incest in her collection, The Dead and the Living (1983). Her work is incredibly incisive, beautifully crafted, and utterly unblinking, even as she examines subjects we are discouraged from mentioning, much less capturing in poetry.

The personal nature of Olds‘ poetry, her focus on her children, her marriage, and her own sexuality, has made her controversial throughout her career. Yet she has persevered, and later in her career won numerous awards, including a Pulitzer for Stag’s Leap, her 2012 volume about the end of her long marriage.

In her 2016 book “Odes,” the poet explores sexuality from her vantage point as a woman in her sixties. Poems like “Blow Job Ode,” and “Ode to the Clitoris,” continue her saga of making the personal poetic.

These poems make it clear that being a certain age is no reason to stop examining (and enjoying) sexuality.

As her 50th birthday approached, Jo Blackwell felt old, unfit, irrelevant and quietly terrified — so she started writing. The blog that became this book struck a chord with thousands of women asking the same question: what the heck just happened to my life? Collected here, the posts are wry, raw and reassuring by turns — ageing bodies, hormones, confidence, grief — landing on the simple conclusion that life is about family, friends, community and being useful, and that she was OK just as she was.

The honest, funny end of the midlife shelf.

Lucy Barton and her first husband William, now in their sixties and long divorced, take an unexpected trip together to find the half-sister William never knew he had — a secret daughter of his late mother, living in Maine. Elizabeth Strout’s luminous novel is about the persistence of love in its strangest forms, and about what we keep discovering about ourselves and each other as we age.

Southern women artists and writers — painters, sculptors, novelists, poets — reflect on creativity, aging, and what it means to keep making things as the years accumulate. Edited by Jay Lamar and Jennifer Horne, this anthology is a testament to the creative life as a lifelong practice, not something that fades at a certain age.

Journalist Margaret Webb sets out to run a marathon at 50 and discovers a world of women athletes defying aging. Packed with science and inspiring stories proving fitness peaks are not behind us.

Elizabeth Strout’s Pulitzer Prize-winning novel gave us Olive Kitteridge, the prickly, difficult, deeply alive retired schoolteacher of Crosby, Maine — a woman who cannot help offending people and cannot stop caring about them. In thirteen linked stories spanning decades, Olive becomes one of American fiction’s most unforgettable older women.

Olive Kitteridge is older now, and a little softer — though not much. In a second cycle of linked stories set in coastal Maine, Elizabeth Strout returns to her most beloved character and finds new reserves of tenderness and humor in a woman who has lived long enough to know what she has been wrong about.